{"id":86143,"date":"1995-08-14T00:01:11","date_gmt":"1995-08-13T22:01:11","guid":{"rendered":"http:\/\/www.editiondaslabor.de\/blog\/?p=86143"},"modified":"2021-06-14T14:42:15","modified_gmt":"2021-06-14T12:42:15","slug":"in-venedig","status":"publish","type":"post","link":"http:\/\/www.editiondaslabor.de\/blog\/1995\/08\/14\/in-venedig\/","title":{"rendered":"IN VENEDIG"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><span dir=\"ltr\">stundenlange<\/span><\/p>\n<p><span dir=\"ltr\">fu\u00dfm\u00e4rsche<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span dir=\"ltr\">durch enge gassen<\/span><\/p>\n<p><span dir=\"ltr\">die kan\u00e4le entlang<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span dir=\"ltr\">bilder betrachtet<\/span><\/p>\n<p><span dir=\"ltr\">oder skulpturen<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span dir=\"ltr\">in einem museum<\/span><\/p>\n<p><span dir=\"ltr\">alte instrumente<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span dir=\"ltr\">geigen aus Cremona<\/span><\/p>\n<p><span dir=\"ltr\">auch ein violoncello<\/span><span dir=\"ltr\">musik von Albinoni<\/span><\/p>\n<p><span dir=\"ltr\">und Vivaldi geh\u00f6rt<\/span><\/p>\n<div class=\"canvasWrapper\"><\/div>\n<p><span dir=\"ltr\">auf der Rialtobr\u00fccke<\/span><\/p>\n<p><span dir=\"ltr\">staunend gestanden<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span dir=\"ltr\">im letzten abendlicht<\/span><\/p>\n<p><span dir=\"ltr\">und wie im gl\u00fcck<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<div id=\"attachment_14681\" style=\"width: 230px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2013\/12\/220px-Peter_Paul_Wiplinger.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-14681\" class=\"size-full wp-image-14681\" src=\"http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2013\/12\/220px-Peter_Paul_Wiplinger.jpg\" alt=\"\" width=\"220\" height=\"330\" srcset=\"http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2013\/12\/220px-Peter_Paul_Wiplinger.jpg 220w, http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2013\/12\/220px-Peter_Paul_Wiplinger-200x300.jpg 200w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/a><p id=\"caption-attachment-14681\" class=\"wp-caption-text\">Photo: Gerald Ganglbauer<\/p><\/div>\n<p style=\"text-align: justify\"><strong>Weiterf\u00fchrend \u2192<\/strong><\/p>\n<p style=\"text-align: justify\">\u00dcber den dezidiert politisch arbeitenden Peter Paul Wiplinger lesen Sie hier eine <a href=\"http:\/\/www.editiondaslabor.de\/blog\/?p=14676\">W\u00fcrdigung<\/a>.<\/p>\n<p style=\"text-align: justify\"><strong>\u2192<\/strong>\u00a0Poesie z\u00e4hlt f\u00fcr KUNO weiterhin zu den identit\u00e4ts- und identifikationstiftenden Elementen einer Kultur, dies bezeugte auch der Versuch einer <a href=\"http:\/\/www.editiondaslabor.de\/blog\/?p=25630\">poetologischen Positionsbestimmung<\/a>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; stundenlange fu\u00dfm\u00e4rsche &nbsp; durch enge gassen die kan\u00e4le entlang &nbsp; bilder betrachtet oder skulpturen &nbsp; in einem museum alte instrumente &nbsp; geigen aus Cremona auch ein violoncellomusik von Albinoni und Vivaldi geh\u00f6rt auf der Rialtobr\u00fccke staunend gestanden &nbsp; im&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/www.editiondaslabor.de\/blog\/1995\/08\/14\/in-venedig\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":98,"featured_media":14681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1142],"class_list":["post-86143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatur","tag-peter-paul-wiplinger"],"_links":{"self":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/86143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/users\/98"}],"replies":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/comments?post=86143"}],"version-history":[{"count":0,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/86143\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/"}],"wp:attachment":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/media?parent=86143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/categories?post=86143"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/tags?post=86143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}