{"id":61344,"date":"2016-01-22T00:01:00","date_gmt":"2016-01-21T23:01:00","guid":{"rendered":"http:\/\/www.editiondaslabor.de\/blog\/?p=61344"},"modified":"2021-10-12T05:03:56","modified_gmt":"2021-10-12T03:03:56","slug":"commedia","status":"publish","type":"post","link":"http:\/\/www.editiondaslabor.de\/blog\/2016\/01\/22\/commedia\/","title":{"rendered":"Commedia"},"content":{"rendered":"\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<p>nun locken aufs Neue<br \/>Harlekins Schellen<br \/>Pierrots Colombinen<br \/>Funken spr\u00fchend<br \/>beim Salto Mortale<br \/>ein Street Parade Hamlet<br \/>auf offenem Wagen<br \/>Ophelia im Whirlpool<br \/>aalt sich in Schaum<br \/>ein Handeln &amp; Mimen<br \/>Gezeter &amp; L\u00e4rm<br \/>im Scheinwerferlicht<br \/>Pauken Trompeten<br \/>beschallen die B\u00fchne<br \/>von Text keine Spur<br \/>&amp; quer hoch dar\u00fcber<br \/>in wechselnden Farben<br \/>mit strahlendem Spruchband<br \/>SEINODERNICHTSEIN<br \/>endet die Szene<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-align-center\" style=\"text-align: center;\">***<\/p>\r\n\r\n\r\n\r\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-92463 size-medium\" src=\"http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2005\/01\/Hagemeyer-235x300.jpg\" alt=\"\" width=\"235\" height=\"300\" srcset=\"http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2005\/01\/Hagemeyer-235x300.jpg 235w, http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2005\/01\/Hagemeyer-260x332.jpg 260w, http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2005\/01\/Hagemeyer-160x205.jpg 160w, http:\/\/www.editiondaslabor.de\/blog\/wp-content\/uploads\/2005\/01\/Hagemeyer.jpg 363w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/>Quelle: Dichtungsring Nr. 47\/2016 (Schwerpunkt:<em> Szenarien)<\/em><\/p>\r\n<p style=\"text-align: justify;\"><strong>Weiterf\u00fchrend \u2192<\/strong>\u00a0Ulrich Bergmann mit einer <a href=\"http:\/\/www.editiondaslabor.de\/blog\/2020\/01\/19\/die-lyrikerin-ines-hagemeyer\/\">Einf\u00fchrung<\/a> in das Werk von Ines Hagemeyer.<\/p>\r\n<p style=\"text-align: justify;\"><strong>\u2192<\/strong>\u00a0Poesie z\u00e4hlt f\u00fcr KUNO weiterhin zu den identit\u00e4ts- und identifikationstiftenden Elementen einer Kultur, dies bezeugte auch der Versuch einer <a href=\"http:\/\/www.editiondaslabor.de\/blog\/?p=25630\">poetologischen Positionsbestimmung.<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; nun locken aufs NeueHarlekins SchellenPierrots ColombinenFunken spr\u00fchendbeim Salto Mortaleein Street Parade Hamletauf offenem WagenOphelia im Whirlpoolaalt sich in Schaumein Handeln &amp; MimenGezeter &amp; L\u00e4rmim ScheinwerferlichtPauken Trompetenbeschallen die B\u00fchnevon Text keine Spur&amp; quer hoch dar\u00fcberin wechselnden Farbenmit strahlendem SpruchbandSEINODERNICHTSEINendet die&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/www.editiondaslabor.de\/blog\/2016\/01\/22\/commedia\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":193,"featured_media":92463,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1690],"class_list":["post-61344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatur","tag-ines-hagemeyer"],"_links":{"self":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/61344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/users\/193"}],"replies":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/comments?post=61344"}],"version-history":[{"count":0,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/61344\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/"}],"wp:attachment":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/media?parent=61344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/categories?post=61344"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/tags?post=61344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}