{"id":32798,"date":"2021-04-02T00:01:00","date_gmt":"2021-04-01T22:01:00","guid":{"rendered":"http:\/\/www.editiondaslabor.de\/blog\/?p=32798"},"modified":"2022-02-28T14:25:56","modified_gmt":"2022-02-28T13:25:56","slug":"i-disassembly-of-a-creature-trapper","status":"publish","type":"post","link":"http:\/\/www.editiondaslabor.de\/blog\/2021\/04\/02\/i-disassembly-of-a-creature-trapper\/","title":{"rendered":"I-disassembly of a creature trapper"},"content":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 translated by Lilian Gergely<\/span><\/i><\/p>\n

 <\/p>\n

in search of a biology of the spirit<\/p>\n

getting caught in the creature uniformity trap > filed into<\/p>\n

prefabricated identity boxes &<\/p>\n

recognize oneself as one of seven billion<\/p>\n

identical biochemical machines<\/p>\n

 <\/p>\n

exploring metaphysical interior spaces<\/p>\n

encountering in the inner area of language<\/p>\n

\u00e6sthetics of nakedness<\/p>\n

the origin of the heart refers to<\/p>\n

the specification of a feeling for a void:<\/p>\n

 <\/p>\n

the information content of the genome determines<\/p>\n

the status of a creature=<\/p>\n

the more information a genome carries<\/p>\n

the more freedom it grants the organism<\/p>\n

for the development of its singularity<\/p>\n

 <\/p>\n

with gigantically amplified whirring<\/p>\n

slipping into the genetic programming<\/p>\n

to free oneself from the bonds of genetic pre-programming<\/p>\n

in a chemically natural universe<\/p>\n

& achieve free will<\/p>\n

<\/div>\n
<\/div>\n
***<\/div>\n
<\/div>\n
<\/div>\n
Anmerkung der KU<\/span>NO-Redaktion:<\/span> Wir entnehmen die \u00dcbersetzung des Gedichts Ichzerlegung eines Wesensfallenstellers<\/em><\/a> durch Lilian Gergely <\/i>mit freundlicher Genehmigung der Herausgeberin des Transnational No.3<\/a>, Sarah Katharina Kay\u00df. Das Original erschien 2015 in dem Band Schmauchspuren<\/em><\/a>.<\/div>\n
\n
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\"\"<\/a>Weiterf\u00fchrend \u2192<\/strong><\/p>\n<\/div>\n

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Lesen Sie ebenso W\u00fcrdigungen von Jens Pacholsky: H\u00f6rb\u00fccher sind die herausgestreckte Zunge des Medienzeitalters, <\/a>Holger Benkel: rettungsversuche der literatur im digitalen raum, <\/a>Christine Kappe: Ein Substilat, <\/a>Sebastian Schmidts Kollegengespr\u00e4ch: Der lyrische Mittwoch.<\/a> Ein Res\u00fcmee des akutischen Gesamtwerks<\/a> erschien bei buecher-wiki. Und lesen Sie auch VerDichtung \u2013 \u00dcber das Verfertigen von Poesie<\/em><\/a>, einen Essay von A.J. Weigoni \u00fcber das Schreiben von Gedichten.<\/p>\n

Probeh\u00f6ren kann man Ausz\u00fcge der Schmauchspuren<\/a>, von An der Neige<\/a> und des Monodrams Se\u00f1ora Nada<\/a> in der Reihe MetaPhon<\/a>.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 translated by Lilian Gergely   in search of a biology of the spirit getting…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":14,"featured_media":98390,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[628,1861],"class_list":["post-32798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatur","tag-a-j-weigoni","tag-lilian-gergely"],"_links":{"self":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/32798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/comments?post=32798"}],"version-history":[{"count":1,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/32798\/revisions"}],"predecessor-version":[{"id":101222,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/32798\/revisions\/101222"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/media\/98390"}],"wp:attachment":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/media?parent=32798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/categories?post=32798"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/tags?post=32798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}