{"id":23748,"date":"2014-05-11T08:06:25","date_gmt":"2014-05-11T06:06:25","guid":{"rendered":"http:\/\/www.editiondaslabor.de\/blog\/?p=23748"},"modified":"2019-10-06T13:48:06","modified_gmt":"2019-10-06T11:48:06","slug":"europa-waehlt-eine-symbolfigur-der-toleranz","status":"publish","type":"post","link":"http:\/\/www.editiondaslabor.de\/blog\/2014\/05\/11\/europa-waehlt-eine-symbolfigur-der-toleranz\/","title":{"rendered":"Europa w\u00e4hlt: Eine Symbolfigur der Toleranz"},"content":{"rendered":"

\"\"<\/p>\n

This photo was taken during the Eurovision Song Contest 2014 in Copenhagen by Albin Olsson with a Nikon D600 from the technology pool of Wikimedia Sverige.<\/p>\n

Gro\u00dfartig findet<\/a> es Fabian Leber im Tagesspiegel<\/i>, da\u00df sich Conchita Wurst gar nicht erst auf ironische Camp- und Trash\u00e4sthetik eingelassen hat:<\/p>\n

„Hier ging es nicht um klassisch-\u00fcppige Travestie, um ein faschingsartiges Rollenspiel, das auch auf 60-j\u00e4hrige Familienv\u00e4ter anziehend wirken kann, weil immer klar ist, wer der Clown ist. Conchita Wurst hatte sich selbst ernst genommen – und ihr Act wird genau deshalb auch politisch ernst genommen.“<\/p>\n

Alle, die den Song h\u00f6ren und sehen<\/a> wollen.<\/p>\n","protected":false},"excerpt":{"rendered":"

This photo was taken during the Eurovision Song Contest 2014 in Copenhagen by Albin Olsson with a Nikon D600 from the technology pool of Wikimedia Sverige. Gro\u00dfartig findet es Fabian Leber im Tagesspiegel, da\u00df sich Conchita Wurst gar nicht erst…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":257,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-23748","post","type-post","status-publish","format-standard","hentry","category-literatur"],"_links":{"self":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/23748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/users\/257"}],"replies":[{"embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/comments?post=23748"}],"version-history":[{"count":0,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/posts\/23748\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/media?parent=23748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/categories?post=23748"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.editiondaslabor.de\/blog\/wp-json\/wp\/v2\/tags?post=23748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}